![]() Soloists were up front with the orchestra, choral voices above and behind. Rachmaninoff's The Bells, in a recent recording by Semyon Bychkov and the Cologne West German Radio Orchestra (SACD/CD, Profil PH07028), is a perfect demo not only of excellent recording of voices, but also of how the Studio2s placed each voice, solo or ensemble, in a clear and proper position in a deep and defined soundstage. The clarity of the Studio2 revealed those subtle transitions and let me really enjoy the humor of the gesture.įemale and massed voices were presented without glare but with exquisite detail. At times, Gordon sounds just like Elvis at others, just like himself. Take, for example, It's Now or Never, the recent homage to Elvis Presley by Robert Gordon and Chris Spedding (CD, Rykodisc RCD 10915). ![]() Male voices, particularly low ones, benefited greatly from the lack of spurious resonances and, in my room, superimposed room effects. Reproducing voices, the Studio2 was simply ravishing. This observation set the tone for the rest of my assessments.įor me, the most important performance parameters for a speaker are accuracy of voices, a deep and detailed soundstage, a wide dynamic range, and consistency of presentation. I can't fathom how Revel has managed this, but this is the only speaker, the original Studio and the big B&Ws, included, to have such excellent bottom-end extension and definition-except for the JL Audio Fathom f113 subwoofer. The midbass, as evinced by bowed double bass, cello, or deep male voice, was clean and well-defined enough that, when a good, truly low sound came along, it had pop and impact untouched by muddiness. It was simply that the Studio2 was capable of bass much like that of a well-designed, well-placed, properly EQ'd subwoofer. Moving the speakers a foot to the left or right made no difference, which exonerated my room of being a mode-mongering culprit. The Studio2's bass and midbass were clean and audibly flat. Thus, when I sat down to listen carefully, I expected to find the bass a little overripe, or underlined by a fortuitous room mode. What usually happens is that, by then, the speaker has told me a lot by calling my attention to the things that stick out-usually, not good things.Īfter a week or two, the only thing I'd noticed about the Studio2 was a recurring impression, in the listening room or in an adjacent one, that the bass had unusual impact and clarity. From the array you can refer with the help of index using syntax: :N.My usual practice with a new speaker is to play it constantly but not pay too close attention to it: I turn on the radio or pop in CDs while I go about the other businesses of my life, and wait for a few weeks before I sit down to focus on critical listening. It means that together with the query programmer sends the array of the records with the value representation. Each object field should be mentioned in the list only once also it shouldn’t be to assignment statements for the same object field. In the each statement the object field which is updated is identifying and new value for this field is defined. SET operator defines which fields could be updated and defines new values for them and is the operation list of the assignment statements which are separated with comma from one another. If WHERE is not defined, all the table records will be updated. ![]() The WHERE statement chooses the records which is to be updated. Updates the values of one or several table fields at the chosen records.
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